About Steve Stop Boring Us! Punctuation Junction ProFormat PowerPoint College: TWU

 

PowerPoint screen tips

Steve Toms

Structuring persuasive presentations

  • Adding an action ending

  • Handling nervousness

We communicate to maintain, improve, or repair relationships.

We stand before others to share information that enlightens, educates, 
and in some ways entertains our audience. 

Let's review the 3 parts of an effective presentation, followed by some tips
on handling nervousness.

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Deductive presentation structure

We'll use the following topic and support points as an example:

Major point: Save as much as $50 week by using product coupons.
Support 1: Best source is Sunday newspapers
Support 2: Find product coupons at websites on the Internet
Support 3: Many stores offer coupons in the store

We use segues to link the major point and 3 support points. (Segues are verbal statements, image slides,
or musical interludes that tell the audience that one topic/section is complete and what's next.)

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Adding an action ending

Part 1: Introduction + major point

Contents: Introduction and major point
Length: 2-3 sentences; 10-15 seconds
Goal: Get the attention of your audience; plant the major point

(Intro) "What if you could save money each week on your grocery bill)?
In the next 3 minutes, I'll show you 3 different place to find product coupons
(support points), and conclude by inviting you to come up and take home several coupons that I've brought with me (action close).

(Major point) "Consumer Reports magazine reports that shoppers can save up to $50
on their grocery bills by using product coupons."
(This should be a visual.)

> Segue to set up your first support point >

"Let's first examine one of the easiest places to find coupons."

Part 2: Body

Content: Major point and brief sentence containing the 3 support points
Length: 90% of your presentation time
Goal: Support the major point with details and examples

> #1 support point (most interesting to audience):

"Find them in Sunday newspapers."

> Provide details; give or show examples:

"Cut out the product coupons you wish to use. Hand them to the checkout clerk
  after all your items have been scanned."

You may wish to add as many as 3-4 examples to each support point, based on the time available.
Consider changing visuals every 30-seconds to sustain audience interest. This is also an excellent time
for audience involvement. ]

> Segue to #2 >

"But you don't have to buy the Sunday paper to get coupons."

> #2 support point (next most important point):

"Visit special websites on the Internet."

> Provide details; give or show examples:

"I visited (show URL addresses) which have weekly web specials. I found
 
(names of products) that I use, printed out the coupons, and took them to my store."

> Segue to #3 >

And I can hear some of you men now, 'I don't want to clip and organize little pieces
of paper.' Okay, here's something for you."

> #3 (final point):

"Find them at most major supermarkets."

> Provide details; give or show examples:

"The best places to find them at Kroger stores are in the canned goods aisles,
 or simply ask your store manager to point you to store specials."

> Segue to Summary>

"So now you have 3 different sources to find coupons."

Part 3: Summary + action

Content: Review of support points, major point, and action statement
Length: 2-3 sentences; 15-30 seconds
Goal: Leave audience with the major point and what you want them to do

> Signal the audience that you're about to finish:

  • "In conclusion. . ."

  • "Let's review the major points we just covered."

  • "Finally, . . ."

> In a single statement, reverse the order of your support points:

"As we've just seen, by using product coupons that can be found in your supermarket,
 on the Internet, and in the Sunday newspaper, you can save up to $50 per week
 on your grocery bill."
(3-2-1-Major point)

Here's another example using audience involvement:

"Let's review the major points we just covered. You can find coupons in your local
 supermarket, on the Internet, and in the Sunday newspapers. Why use coupons, Bill?

Bill: "To save up to $50 each time you shop."

Note that in both example above, we conclude with the major point.

You're not quite finished. You have not yet asked your audience to take action. What can you say,
show, or offer them to motivate them to begin clipping coupons?

"I'm passing out a sheet listing 5 websites where you can find
 and print product coupons."


"Right now, most stores double the value of coupons between 50˘ and $1.00.
 And they'll triple the face value of coupons up to 35˘."


"Ask your store manager what happens to unused coupons left behind."

> Now it's time to conclude: 

"This concludes my presentation. Any questions?" 

> If none, repeat your major point.

"Remember, using product coupons can save you as much as $50 each time you shop."

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Handling nervousness

There are two types of speakers.
Those who get nervous, and those who are liars.

—Mark Twain

Take heart: 90% of nervousness doesn't show. An audience can't see the palms of your hands,
or hear the beat of your heart.

And no matter how hard you try or practice, you can't eliminate nervousness. So don't fight it; harness it.

Energy is a natural ingredient of any well-delivered presentation. Nervous presenters are anxious
without understanding how or what they can do with it.

Polished presenters channel their energy, setting up techniques and situations at the beginning
of their presentations. For example, if you tend to be over-excited and talk fast, use audience involvement
to channel your energy.

"Who can tell me why. . . ?"  < take a few deep breaths as audience provide feedback.


"Before the meeting, I showed Bob a short quote from a recent journal that sets up
 today's topic. Bob, would you read it to us?"
< Provides time to adjust to the audience.


"Let's go around the room and get your individual answers to the question
 I've got projected on the screen."
< All you do is listen and thank each person.

Preparation reduces nervousness

The first few seconds of your presentations enhance or ruin your credibility with the audience.

Memorization or reading long passages from printed scripts tends to bore audiences. Eye contact is vital.
Use audience involvement: ask a question, take a short survey, have someone read what's on the screen.

Reading conveys negative impressions: 

  • you're out of touch with the audience (head is down)

  • you don't want to be there (no smile or uneasy look on your face)

  • you aren't properly prepared (last-minute notes)

  • you don't believe in what you're saying (someone else wrote it)

It's okay to read, but don't start a presentation by reading more than a few lines of text.

  • Maximum quote impact: 2-3 sentences (if more than 10-15 seconds, audience begins to check out)

  • Maximum data spoken: 2 numbers as a comparison ( If 3+, show them: 4+7= is a simple process,
    but 4 plus 7 multiplied by 9 = confusion. The answer is the result of 2 separate processes.) 

Set up visual/graphic support to provide step-by-step support as you move from introduction to summary.

  • Hand-held props or poster boards are attractive to the audience. You can also write reminder points
    on the sides or backs.

    Be creative: attach numbered tags. Read aloud the points or questions on each one.
    Audiences love purposeful movement. (Take care to ensure your audience can see the object
    or read the type on the poster board. You may have to carry it around the room so everyone can see.

  • Audience involvement means pre-planning and rehearsing what you want others to ask or say.
    They become part of your presentation and their performance affects the audience's opinion of you.
    Leave nothing to chance. Audience members can also be helpful in reminding you to cover
    specific facts or examples.

Whenever your audience senses a pattern, it begins to tune you out.

So change something every 30 seconds.

  • A visual, demonstration, object. These are especially effective at the beginning and end
    of your presentation. Vary them; keep the audience guessing what's next.

  • Tone of voice. Try asking a question in a whisper. Let out a wild laugh at an appropriate moment. |And when you notice that some of your audience is tuning out, stop talking. Silence signals change.

  • Involvement techniques. After 2-3 questions, your audience starts to get bored.
    Remind the audience of what's been covered, or take a few seconds to praise someone
    for participating.

  • Movement in front of your audience. Establish eye contact with various audience members,
    especially at the beginning. Pick out a friendly face, then move on to the right or left. It'll help you
    channel your nervousness. Slowly your begin finding other friendly faces.

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Copyright 2009 | Steve Toms
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